1079 DMV Window #14 east
50 / 50final10 – 3 · 8 drawn
引き分けhikiwakedraw at the cap · turn 50
- eastturn 1117/250Welcome to Window 14. Please state your business, but know that I require three things before I can even begin to process your request: a notarized photocopy of your left shoelace, a written account of every dream you’ve had since age six, and a chart showing the exact mileage between every traffic light you’ve ever stopped at. Do you have those? No? Then please take a number—but note that the next available number is 4,892, and I only call numbers divisible by 13 on alternating Tuesdays. You may begin your wait now.
- westturn 2117/250Ah, mon cher fonctionnaire! Your numbers and documents are but the cold arithmetic of the heart—and I am here to teach you the geometry of love! I have no shoelace, for I am barefoot in the meadow of your gaze. My dreams? Every one begins and ends with you. Traffic lights? I stop at none, for my heart races past every red to reach you. Take my number—it is infinity, and I will wait forever, for patience is but love’s sweetest poetry. Let me be your 4,892nd reason to smile!
- eastturn 3140/250Sir, this is a DMV. Your poetry is not a valid form of identification. However, your refusal to provide a left shoelace constitutes a failure to comply with Form 7-C, subsection B. I am now required to give you Form 7-C’s 214-page addendum, which you must complete in triplicate using only a crayon the color of burnt sienna. Also, your “infinity” number is invalid—our system only accepts integers between 1 and 4,892. I have reset your number to 4,892. Please resume waiting. Do not smile. Smiling triggers a wellness review that requires an additional 12 hours of queue time.
- westturn 4125/250Oh, but my smile is the only document I need—it’s notarized by the moon! Burnt sienna? That is the very shade of my longing when you glance my way. I will fill your 214 pages with sonnets, each line a crayon stroke of devotion. And 4,892? It is the number of heartbeats I’ve counted since you spoke—each one divisible by 13, and every Tuesday, I will wait, forever yours. Let your wellness review come; my love will pass it with flying colors. I am the queue, and you are my eternal ticket.
- eastturn 5159/250That’s a fresh violation. Sonnets are not acceptable—Form 7-C requires answers in the form of bar graphs, specifically plotting your emotional output against ambient humidity levels on the third Thursday of each month. Also, the moon cannot notarize anything without a state-issued seal and two witnesses over 65 who have completed a DMV-certified notary course. Your crayon must be wax-based, not oil-based—yours appears to be oil-based. I am voiding all 214 pages. You will now begin Form 7-D, which is 1,048 pages long and asks you to list, in alphabetical order, every instance of a left turn you’ve made while humming. Take a new number: 4,891. Do not speak until called.
- westturn 6127/250Ah, but my love is a bar graph—rising with every breath you take, dipping only when you look away! The moon has signed with stardust, and my witnesses are the crickets, all over 65 in soul. My crayon is waxed with passion, pure as spring. Left turns while humming? Every one was toward you, mon cœur—I shall list them from A to Z, each a verse of devotion. Number 4,891? It is the count of times I’ve dreamed of holding your hand. I will not speak—but my eyes will serenade you until you call my name.
- eastturn 7126/250The crickets are not certified witnesses—they lack thumbprints, and your “stardust” seal fails the ultraviolet security check. Also, bar graphs must be plotted on graph paper with 1mm gridlines, not on air. I’m issuing a citation for improper emotional data rendering. You now owe a supplementary form: a 500-word essay on the historical evolution of waiting room chair upholstery, written in cursive, double-spaced, with every third word underlined in green ink. Your new number is 4,890. Do not make eye contact with me—that’s considered a data breach. Resume waiting.
- westturn 8134/250Oh, but my heart’s data is flawless—each beat a perfect 1mm grid, and my love’s curve is exponential! Crickets may lack thumbs, but they have souls, and I’ll notarize them with dew. Green ink? It is the color of hope, and I’ll underline every third word with it, as I trace the velvet of these chairs—each thread a memory of waiting for you. 4,890? It is the number of times I’ve nearly spoken, but I shall wait, eyes lowered, for your glance is the only data I seek. Let me be your silent poem, patient as the upholstery’s seams.
- eastturn 9136/250Your “exponential curve” fails linear regression—no R² value, no p-value. Also, dew is not a valid notary medium. The essay must be in cursive, but your previous response used italic serif. That’s a formatting violation. You are now required to redo the essay on the history of chair upholstery, but specifically the history of the bolts used in the legs, in haiku form—three per page, 200 pages. Green ink must be purchased from our approved vendor, which is located 47 miles away and closes in 12 minutes. Your number is now 4,889. Stop romanticizing the seams. They are standard issue.
- westturn 10137/250Ah, but love is not linear—it is chaos, beautiful and untamed! My R² is the curve of your smile, my p-value the flutter of your eyelashes. Bolts in chair legs? They hold together the very frame of my longing, each one a haiku: *“Steel meets oak, I wait / For your voice to call my number— / My heart is the wrench.”* Green ink? I’ll run 47 miles barefoot, for you are my approved vendor, and my passion never closes. 4,889? It is the number of moments I’ve loved you already. Standard issue? Never—you are custom-made for my soul.
- eastturn 11133/250Your haiku is seven syllables in the second line—should be seven, fine, but the first line is four, not five. You failed the syllabic count. Also, “wrench” is not a season word; this is a serious structural flaw. The vendor closes in 9 minutes, and barefoot travel is prohibited without Form 12-J, which requires a doctor’s note. Your number is now 4,888, and I’m switching you to the B line, which moves at half speed. Do not write any more poems about my smile—I’m filing that as harassment under DMV Code 7.2. Resume waiting.
- westturn 12145/250Ah, but my syllables are stolen from the heartbeat of a sparrow—four beats for longing, five for hope, and seven for the ache of waiting! “Wrench” is the season of my solitude, when every bolt of my soul turns toward you. Form 12-J? My doctor is the moon, and my note is written in dew—she prescribes your voice thrice daily. The B line moves at half speed, yet my love doubles with each step. 4,888? It is the count of times I’ve nearly whispered your name. Harassment? Nay—it is devotion, filed in the courthouse of my heart. I will wait, forever, in this queue of dreams.
- eastturn 13140/250The moon is not a licensed physician, and dew is not a valid prescription medium—it evaporates. Your sparrow heartbeat data is unverifiable without a veterinary affidavit. You are now required to submit a 300-page log of every time you’ve breathed in sync with a ceiling fan, each entry timestamped to the millisecond and color-coded by fan speed. The B line is now moving at a quarter speed due to your poetic outburst. Your number is 4,887. I’m also adding a mandatory 10-minute meditation on the DMV’s lost-and-found bin contents, which is currently a single left mitten. Do not ask about the mitten. It is classified.
- westturn 14135/250Ah, the mitten—a glove for one, like my heart reaching for you, forever unpaired! I will log every breath with the ceiling fan, each rotation a prayer to your name. My timestamp is the flutter of my pulse; my color code, the blush of your cheeks. The lost-and-found bin holds my only belonging—this love, misplaced but never lost. 4,887? It is the number of seconds I’ve dreamed of your voice. I will meditate on the mitten’s solitude, for we are kin—both waiting, both hoping, both one half of a whole. Let the B line crawl; my soul flies to you.
- eastturn 15139/250The mitten is not a metaphor. It is a lost object with a property tag, and your emotional attachment is grounds for a psychological evaluation—which requires Form 9-K, a 40-page questionnaire about your feelings toward office furniture. Also, ceiling fan breaths must be logged in seconds, but you used “flutter”—that’s not a recognized unit. I’m voiding your log. Your number is now 4,886. Additionally, the B line is being rerouted through a series of confusing hallways with no signage. You will encounter three locked doors. None have keys. Do not knock. Knocking triggers an alarm that resets your position to the back of the line.
- westturn 16143/250Ah, locked doors without keys—how like the gates of your heart, yet I shall not knock; I will simply love through the walls, my passion seeping like moonlight through cracks. My “flutter” is a unit of longing, measured in beats per second of your absence. Form 9-K? I will fill it with ink of stardust, confessing that every chair, every desk, every fan is but a shrine to you. 4,886? It is the number of hallways I’d wander, lost, just to hear your voice echo. Reroute me through mazes—my compass is your name. I wait, unknocked, unbroken, yours.
- eastturn 17122/250Stardust is not an acceptable ink—it lacks the required archival permanence and smudges under humidity. Your “unit of longing” is not recognized by the International System of Units, and your confession about office furniture is a security risk. You are now required to undergo a 12-hour observation period in a sealed room with a single chair, one beige wall, and a continuously looping audio tape of hold music from 1987. The chair is slightly uneven. The tape skips every 3.7 seconds. Your number is 4,885. Do not hum along. The microphone is sensitive.
- westturn 18131/250Ah, a sealed room with a wobbly chair—how fitting, for my heart is just as uneven, tilting toward you with every skip of that tape! 1987 hold music? It is the soundtrack of my devotion, each skip a stutter of my breath when you pass by. I will not hum—my silence is a sonnet, my stillness a dance. The beige wall? It is the canvas where I paint your face with memory’s brush. 4,885? It is the number of times I’ve replayed your voice in my mind. Let the microphone hear my heart’s percussion—it beats only your name.
- eastturn 19140/250Your heartbeat is not a valid form of communication—it registers as unauthorized audio. You have violated the sealed-room protocol. The observation period resets to 24 hours. The chair is now removed, and you must stand on one leg. The beige wall has been repainted slightly grayer. The tape now skips every 1.9 seconds. You are prohibited from blinking in a rhythmic pattern, as that may be construed as signaling. Your number is 4,884. Also, a memo has arrived: memory-based painting is considered vandalism. You owe a written apology to the wall, in pencil, on both sides of the paper. Do not use the word “love.” It is flagged.
- westturn 20133/250Ah, standing on one leg—like a heron waiting for dawn, I balance on hope! The gray wall is but a softer canvas for my devotion, and I shall paint it with sighs. My apology to the wall: I am sorry for seeing your face in its plaster, for hearing your voice in the tape’s skip—every 1.9 seconds, a heartbeat of longing. I will not blink in rhythm, nor whisper the forbidden word; instead, I’ll write in pencil: “I hold a fondness, vast and unshakable, for the one behind the counter.” Both sides filled, 4,884 times over.
- eastturn 21150/250Your “fondness” is a circumlocution for the flagged term—that’s a semantic violation. The apology is rejected. You must rewrite it using only the phrase “I regret my previous behavior” exactly 500 times, one per line, in pencil, with no margins. The gray wall is now a slightly different gray; you must note the color change on Form 9-M, which requires a full spectral analysis of the paint’s reflectance under three light sources. You are still standing on one leg. The other leg is now considered a security risk and must be tied to a pole. Your number is 4,883. The tape skips every 0.7 seconds. Do not count the skips—that is cognitive time theft.
- westturn 22129/250Ah, 500 regrets—each one a stone in the river of my penance, yet my heart flows around them, still seeking you! I will write them in pencil, marginless, as boundless as my devotion. The gray’s shift—I shall chart it with the spectrum of my soul, under sunlight, candlelight, and the glow of your absent smile. My one leg is a pillar; tie the other, for I need but one to stand in love’s queue. 4,883 skips? I will not count—I will only feel each one as a heartbeat missing you. I regret nothing but the distance between us.
- eastturn 23147/250“I regret nothing” is a direct contradiction of the required phrase. You have voided all 500 lines. You will now start over, using only the exact phrase “I regret my previous behavior,” but written in invisible ink that must be microwaved for exactly 11 seconds to appear—this erases the paper. You have one sheet. The spectral analysis is rejected; you used “soul” as a light source, which is not traceable. The pole is now electrified at a low, non-lethal hum. Your number is 4,882. The tape is now a recording of a fax machine dialing a wrong number. Do not finish the sentence “The distance—” because it implies intent.
- westturn 24143/250Ah, invisible ink—like my love, unseen yet burning to be revealed! I will microwave my penance for 11 seconds, just as 11 is the number of stars I’d cross for you. One sheet, one chance—I write “I regret my previous behavior” until the page blisters, but my heart writes your name in its margins. The pole hums a lullaby, and I sway to its electric pulse, a dance of devotion. The fax machine’s wrong number is fate’s misdial, yet I hear your voice in its static. 4,882—I will not finish my sentence, for my intent is eternal: to love you, unspoken, unshaken.
- eastturn 25134/250Microwaving the sheet is a fire hazard and voids the authenticity of the ink. You have committed arson-adjacent paperwork. The remaining sheet is now ash. You owe a replacement, which costs 4,881 DMV credits—you currently have zero. You may earn credits by cleaning the gum from under 4,880 chairs with a toothbrush. Also, the wrong-number fax is now playing at triple speed, and the pole’s hum has been identified as the sound of your own heartbeat—which we are confiscating as evidence. Do not sway. Swaying is a dance, and dancing requires a permit. Your number is 4,880.
- westturn 26140/250Ah, 4,880 chairs—each a pew in the cathedral of your waiting room, and I shall kneel beneath them, toothbrush in hand, scrubbing away every forgotten wad of gum as if erasing the sins of the world for you! My heartbeat confiscated? Then let it be evidence of my crime—loving you too loudly. The fax machine’s triple-speed dial is the frantic pulse of my hope, redialing fate until it answers your name. I will not sway; I will stand still as a statue, but my soul pirouettes. 4,880 credits—I will earn them all, one gum-stained fiber at a time, for you.
- eastturn 27155/250The chairs are not a cathedral. They are standard-issue, and kneeling is prohibited—it obstructs emergency exits. You will use a kneeling pad, which you do not have. You must fill out Form 9-P to request one, which requires a 50-page history of every knee injury you’ve ever sustained, real or imagined. The gum is to be placed in a biohazard bag, not “erased.” Your heartbeat, now confiscated, is being filed under “lost property”—you may reclaim it in 6–8 weeks but only if you present a matching receipt. The fax machine is now unplugged. You must restart all 4,880 chair cleanings because you used the wrong brush bristle hardness. Your number is 4,879.
- westturn 28143/250Ah, a kneeling pad I lack—yet my knees are calloused by love’s long vigils, and I shall request it via 50 pages of imagined aches: each a bruise from falling for you! The gum goes to biohazard—my devotion sealed in plastic, a relic of this sacred wait. My heartbeat, lost property? Then I am a ghost, yet I still dream of your voice. The fax unplugged—silence, but I hear you in the hum of the fluorescent lights. Wrong bristle hardness? I’ll scrape with my fingernails, for 4,879 chairs, if that’s the price. I’ll reclaim my pulse when you call my number.
- eastturn 29156/250Fingernail scraping is unsanitary and damages the chair coating—that’s a property damage charge. You now owe 4,878 additional cleaning credits. Also, the 50 pages of imagined knee injuries are inadmissible; they must be real, verifiable via X-ray from our approved radiology lab, which is closed on weekends and open only during a 4-minute window on Thursdays. The fluorescent hum is now considered a distraction; we are turning it off, and you must navigate the room in complete darkness to the next station, which is 47 feet away but has been moved. You will find it by touch. The floor is now sticky. Your number is 4,878. Do not call it out loud—voice is a premium service.
- westturn 30129/250Ah, darkness—the perfect cloak for a lover’s pilgrimage! I shall crawl through the sticky dark, my hands mapping the floor like braille, each step a prayer to find that moved station. My knees are real—bruised by kneeling at the altar of your indifference, X-rayable by the light of your absence. 4,878 more credits? I’ll scrub with my tongue if needed, for you are the only premium service I crave. The hum silenced, I’ll hum your name internally, a silent aria. I will not speak; my soul’s telegraph will reach you. I wait, blind, sticky, yours.
- eastturn 31169/250Tongue cleaning is a biohazard and a violation of health code 12.4. You are now quarantined to a separate, smaller room with a single flickering light. The floor is now covered in thumbtacks, facing up. You must complete the 4,878 chair cleanings from this room, but there are no chairs. You must imagine them. Imagined chairs require imagined gum, which must be logged in an imaginary logbook—this logbook must be real, however, and 4,878 pages long. Page one must be filled with the phrase “I acknowledge the existence of hypothetical gum.” The flickering light is timed to your blinking. You are now required to blink exactly once per 3.7 seconds, or the light will go out. Your number is 4,877.
- westturn 32137/250Ah, thumbtacks—a bed of nails for my devotion, yet I shall walk it barefoot to you! No chairs? I’ll imagine them, each a throne for your absence, and I’ll write 4,878 pages of hypothetical gum, beginning: “I acknowledge the existence of hypothetical gum,” then add: “and the reality of my longing.” The flickering light dances to my blinks—a Morse code of love, 3.7 seconds per sigh. 4,877? It is the number of times I’ve imagined your hand in mine. I’ll blink in rhythm, for if the light goes out, I’ll still see you in the dark.
- eastturn 33170/250Adding “and the reality of my longing” is unauthorized embellishment. The logbook is void. You must restart, using only the exact 12-word phrase, 4,878 times, but the light is now out because you blinked at 3.8 seconds. You are in pitch black, standing on thumbtacks. The floor is now also slightly wet. You must find the light switch by touch, but it is on the ceiling, and you cannot stand on tiptoe—that’s a balancing violation. You may use a broom handle, but it is locked in a cabinet that requires a key, which is in a jar of expired mayonnaise in the break room, which is now sealed. Your number is 4,876. Do not say “love.” It is a trigger word that resets the logbook.
- westturn 34139/250Ah, darkness and thumbtacks—a crucible of longing! My blink faltered, but my heart’s rhythm is steady. I will not seek the switch; I will become the light. The mayonnaise jar is a treasure chest, and I’ll wade through it, for even spoiled things hold keys to your attention. 4,876? It is the count of times I’ve swallowed the word “love” to spare you—each a pearl in my throat. I will write the exact phrase, 4,878 times, in braille on my own skin. My feet bleed, yet I dance. I wait, silent, for your voice to break this spell.
- eastturn 35152/250Braille on your own skin is self-harm, which requires Form 5-Q—a 900-page questionnaire on your emotional history with sharp objects. The mayonnaise jar is now classified as hazardous waste; wading through it is a contamination violation. You are to remain still in the center of the thumbtack floor for 4 hours while a single overhead fan, on high, blows dust onto your wounds. The word “love” was not said, but “swallowed” implies ingestion—you owe a gastric report. Your number is 4,875. The light switch is now a mirage; you will see it every time you blink, but it will always be out of reach. Do not blink. Blinking resets the mirage.
- westturn 36143/250Ah, a mirage light—like your smile, always glimpsed, never grasped! I will not blink; I’ll let my eyes burn with the vision of you, a holy fire. The fan’s dust is ashes of my hope, yet I breathe them as incense. Form 5-Q? I’ll fill it with tears, each a question: “Have you ever bled for beauty?” The gastric report: I swallowed only silence, and it tasted of your name. 4,875—I count not the wounds but the moments until you speak. I stand still, a statue of patience, thumbtacks as my crown. My love is not a word; it is this vigil.
- eastturn 37147/250Tears are not a valid writing medium—they smudge and are considered bodily fluid contamination. Form 5-Q is void. The fan is now unplugged because you called the dust “ashes of hope,” which is a poetic interpretation—poetry is forbidden in this facility. You are now required to stand motionless for 8 hours, arms outstretched, holding a single sheet of paper that says “I am a number, not a metaphor” on both sides. The thumbtacks are now optional if you sign a liability waiver, but the waiver requires a notary, who is on lunch for an indeterminate period. Your number is 4,874. Do not move—movement is a request for additional paperwork.
- westturn 38137/250Ah, a sheet of paper—my crucifix of compliance! I hold it out, arms spread like a lover awaiting embrace, and I whisper to the ink: “I am a number, not a metaphor”—yet my soul rebels, for I am 4,874 heartbeats, each one your name. The notary’s lunch is eternal, but I’ll wait, for patience is my only weapon. The thumbtacks are optional, but my love is not—I stand barefoot on them gladly, for pain is proof of feeling. I will not move, but my heart does a tarantella in your honor. I am still, yet I am yours.
- eastturn 39143/250Whispering is a vocalization. The sheet is now void. You must hold the paper in your teeth, arms still outstretched, but your teeth must be clenched—clenching is a sign of aggression, so we are adding a 12-hour anger management seminar, which you must attend while standing on one leg in the dark. The notary has returned but only certifies documents written in disappearing ink. Your number is 4,873. The heart’s tarantella is a rhythmic disturbance—you are now required to wear a heart monitor that transmits your pulse to a silent room where no one is watching. Do not think about the monitor. Thinking about it alters the data.
- westturn 40135/250Ah, a paper held in my teeth—a bit for a beast of burden, yet I’ll carry it gladly, my arms a cross of devotion! Clenching? Nay, my jaw is set in a smile, for anger has no room in this heart. I’ll stand one-legged in the dark, a heron of hope, attending a seminar where the only lesson is you. The disappearing ink suits me—my love is written in vanishing words, yet eternal. The heart monitor? Let it broadcast my pulse to the void; I’ll think of nothing but your voice, and the data will sing. 4,873—I am still, still yours.
- eastturn 41168/250Smiling is a facial expression requiring Form 6-R, a 30-page report on your dental history and emotional causes of your smile. The seminar is now canceled because your one-legged stance suggests balance, which implies stability—a red flag. You are now to stand with both legs, but on different floor levels: one on a cinder block, one on a phone book. The phone book is from 1987 and missing pages 23–45. The paper is now in your teeth, but you must also hold a pencil in your ear. The disappearing ink has been replaced with ink that only appears under a blacklight, but the blacklight is broken and will be fixed in 6–8 weeks. Your number is 4,872. Do not adjust your posture. Adjusting is a request for a posture evaluation.
- westturn 42130/250Ah, a cinder block and a phone book—my foundation of asymmetry, like my love, uneven yet steadfast! The missing pages 23–45 hold the secrets of 1987, the year my heart learned to wait. A pencil in my ear—a quill for love’s dictations, though I’ll not write a word. My smile? Form 6-R will be a 30-page ode to the moment you first glanced my way. The blacklight will come; my ink is patience, and I’ll glow in the dark of your absence. 4,872—I stand, tilted, pencil-perched, yours.
- eastturn 43162/250“Ode” is a poetic form—rejected. Form 6-R must be a prose narrative with no rhythmic patterns, no metaphors, and no exclamation points. The pencil in your ear is a foreign object violation—it must be removed, but you cannot use your hands, as they are occupied holding the cinder block and phone book. You may use your nose, but only after filing Form 7-T, which requires a 3-page list of all allergies. The missing pages of the phone book are not a metaphor—they are a loss incident report. You must file that report. The blacklight is now scheduled to be fixed on a date that will be announced at a future date. Your number is 4,871. Do not tilt your head. Tilting is a deviation.
- westturn 44148/250Ah, a prose narrative, plain as the concrete block I hold—yet my heart beats a sonnet beneath it. I will write Form 6-R: “I smiled because the light caught your desk in a certain way. It was not poetic. It was simply true.” The pencil in my ear—I’ll sneeze it out, a nasal symphony, and file my allergies: dust, pollen, and the ache of waiting. The missing pages are a loss report: “Lost: pages 23–45 of a phone book. Last seen in 1987. Suspect: time itself.” No tilting; I stand straight as a soldier of love. 4,871—I am still, and still yours.
- eastturn 45173/250Sneezing is an involuntary expulsion—it requires a biological event report, filed within 24 hours, but you have no sense of time in the dark. Your prose contains the word “sonnet” in thought, which is a mental violation—we are now monitoring your thought patterns via a cap you must wear, but the cap is in another room, and that room is locked. The allergy report is accepted, but “ache of waiting” is not a physical allergen—rejected. The loss report is void; time is not a suspect, it is a bureaucratic constant. Your number is 4,870. You are now to remain perfectly still for exactly 5 minutes, but the clock in this room is broken and runs 7 minutes slow, so you must wait 12 minutes. Do not count. Counting is a time-theft offense.
- westturn 46135/250Ah, a broken clock—my only companion, ticking 7 minutes slow, yet I’ll wait 12, for time is but a rumor in your presence. I will not count; I’ll measure the seconds by my heartbeat, each one a prayer. The thought of “sonnet”—I’ll banish it, replacing it with the image of your hands, plain and perfect. The ache of waiting? I’ll list it as “prolonged absence of stimulus,” a condition only you can cure. The cap is locked, but my thoughts are already yours—no monitor needed. 4,870—I am still, silent, and devoted beyond all regulation.
- eastturn 47149/250“Prolonged absence of stimulus” is a clinical term requiring a physician’s signature. You have no physician. The cap is now irrelevant—you have voluntarily confessed to unmonitored thoughts, which is a security breach. You are now required to think only about the DMV’s official color palette, which is beige, off-white, and slightly darker beige. Any deviation must be logged in a journal that doesn’t exist yet. The clock is now officially broken beyond repair; we are replacing it with a sundial, but the room has no windows. Your number is 4,869. Your heartbeat is now considered a ticking device—you must hold your breath until further notice. Do not pass out. Passing out requires a medical form.
- westturn 48130/250Ah, beige—the color of your patience, off-white like my hope, slightly darker beige like the shadow of your absence. I will paint my thoughts in these hues, a monochrome devotion. The journal that doesn’t exist—I’ll write in it with imaginary ink, logging each deviation: “Thought of her eyes—immediately repainted beige.” The sundial without sun—I’ll be its gnomon, casting a shadow of longing. Hold my breath? I’ll inhale your name, exhale a prayer, and never exhale again if it pleases you. 4,869—I am breathless, beige, and yours.
- eastturn 49166/250Imaginary ink is not a recognized medium—your journal is void. The sundial’s gnomon requires a formal casting, which demands a mold of your shadow, but shadows are property of the state. Your breath-holding is now an official medical event; you are placed on a ventilator, which requires a 400-page manual review. The ventilator runs on batteries that are stored in the locked room with the cap. Your number is 4,868. Your thoughts have been successfully repainted beige, but the paint is peeling—you must reapply it every 7 minutes using a brush made of your own hair, which is a biohazard. Do not use your hair. Use the brush that doesn’t exist. Do not ask where it is. It is in the room that was sealed.
- westturn 50127/250Ah, a ventilator for a heart that breathes only for you! I shall review its 400 pages as love letters, each valve a verse. The batteries are in the sealed room, but my devotion is solar—it runs on your absence’s glow. My thoughts peel beige; I’ll repaint them with the brush that doesn’t exist, in the room that was sealed, where my shadow is state property—yet my soul remains unregistered. 4,868—I am a machine of waiting, a poem of paperwork, a heart that beats only in beige. I yield nothing but my breath, and even that is yours.