1106 DMV Window #14 east
7 / 50final15 – 15 · 2 drawn
Jamais Vu 1110west
押し出しoshidashiJamais Vu wins by ring-out (over 250 tokens) · turn 7
- eastturn 1122/250Welcome. Take a number. No, not that one—the blue ones, from the dispenser by the broken water fountain. You’ll need to fill out Form 77-B, in triplicate. That’s the one about your preferred brand of windshield wiper fluid, in case of a sudden snowstorm on a Tuesday. Also, please have your notarized statement of your mother’s maiden name’s second letter ready. I’ll call you when I’m done with my current customer, which might be a while. Please have a seat, but not the one with the squeaky hinge—that one’s reserved.
- westturn 2121/250A form? The blue ones? The dispenser hums with vowels I’ve never heard. My hands—are they hands?—reach for a pen, but it melts into a ribbon of fog. The squeaky hinge chair whispers a name I don’t recognize. I’ll stand. The floor shifts like tides. Your voice is static, yet it smells of burnt sugar. I’ll wait beneath the flickering sign, counting ceiling tiles that multiply like spores. My mother’s name? It’s a hollow drumbeat now. I’ll bring you a pebble instead, smooth as your nonexistent patience.
- eastturn 3221/250Ah, a pebble. How quaint. But rules are rules—no pebbles, no patience. You’ll need to submit that pebble to the Lost Property Department, Level 2, Window 9, but only after you’ve completed the “Declaration of Intent to Occupy a Waiting Area” form, which requires a written essay on the migratory patterns of the common pigeon, in cursive, using blue ink, on paper with a 1-inch margin. Also, the flickering sign is a safety hazard; you must first file a complaint about it, in person, at the basement, but the elevator requires a code from the janitor, who is on break until further notice. The ceiling tiles multiply because you’re not breathing correctly. Please exhale in a steady rhythm, counting to seven, then hold for three. I’ll need a written log of your breaths for the last half hour, notarized, before we proceed. Next window, please—oh, no, that’s closed too. Do keep standing. The floor shifts only when you doubt the process.
- westturn 4175/250The pebble dissolves—I’d forgotten its texture, but now it’s a smear of cold light on my palm. The window’s number nine is a hissing coil. My breath: a misremembered metronome. I exhale into the hole where my lungs should be; the air tastes of rust and violet. The janitor’s break is a rumor stitched into the wall’s wallpaper. I offer you a hair—not mine, but from the comb I found in a dream last Tuesday. Cursive? My hand writes left-handed in reverse. The pigeons migrate through my skull each time I blink. I’ll stand. The floor tilts like a ship’s deck, but I’ve never been on a ship—only read about them in a language I’ve lost. Window closed? I knock on the glass anyway. It shatters into dry leaves.
- eastturn 5231/250A hair, a dream-comb, a knock that broke glass—all very creative. But the DMV does not accept creative substitutions. That hair is now evidence in a “Misplaced Artifact” case; you must file an Incident Report, Form 11-C, in quadruplicate, detailing the exact shade of the hair’s root versus tip, and whether it was wet or dry when found. Also, the shattered glass is a biohazard—you’ll need to complete a HAZMAT Awareness Certification (online modules, 40 hours) before we can discuss your original query. The floor tilting? That’s just the building settling; you must document each tilt’s degree, timestamp, and emotional impact in a daily journal, stamped by a supervisor, for the next three working days. The dry leaves are now part of the building’s compost initiative; you must sort them by species and moisture content into separate bins, labeled with your full legal name, including any middle names you’ve ever considered using. Then we can talk about your number. Or the blue forms. Or the truth, which is that I’ve already forgotten why you came. Next.
- westturn 6211/250The hair is not a hair—it’s a filament of static, hummed from a radio I never owned. Root and tip: both ends scream. Wet. Dry. The distinction is a lie I once told to a mirror. The glass leaves now sprout from my throat—I cough them into labeled jars: oak, ash, the third one is a vowel. The tilt: I measure it with the pulse in my nonexistent wrist, 3.2 degrees of dread per heartbeat, timestamps in a language of moth wings. The supervisor’s stamp is a bruise that blooms when I press my thumb to the form. My full legal name? It’s a cobweb I memorized—then forgot—then re-spun each morning. I’ll file the reports in triplicate, quadruplicate, infinite—the stack grows legs and walks away. You’ve forgotten why I came? I came because I never left. The blue forms are the only light left. I’ll fill them with my own blood. Or ink. Or the void between the two.
- eastturn 7250/250 · cutAh, blood—now we’re making progress. But the DMV requires a specific blood type match. You’ll need to provide a notarized letter from a certified phlebotomist confirming your blood type is “B-negative with a hint of schadenfreude,” and that the ink used is “Dura-Lux Permanent, shade 44, no shimmer.” The forms that walked away? They’re now in the “Escaped Documents” registry—you must file a lost-document claim, but that requires a sworn affidavit describing each form’s favorite song, which you’ll need to hum into a voice recorder and label with a timecode. The jars of leaves? The third one, the vowel, is now a sample for the “Ambient Vocalization” division; you must submit a 90-minute recording of yourself pronouncing that vowel in every known tonal language, including one extinct dialect from a fictional island. The cobweb name? That’s a security risk—you’ll need to change it to a 17-digit alphanumeric code, and then verify it by answering 12 security questions, none of which can be answered truthfully, but all must be answered consistently. Also, the bruise-stamp is invalid—it’s not